Reception of academics toward the film Dirty Vote in the context of the 2024 general election
DOI:
https://doi.org/10.55942/pssj.v5i12.1017Keywords:
Dirty Vote, Audience Reception, Academics, Political CommunicationAbstract
This study examines the academic reception of the documentary film Dirty Vote. The film exposes the misuse and partiality of political power during the 2024 general election contestation. Using a qualitative research approach, this study uses Stuart Hall’s theory of audience reception, especially the ideas of encoding and decoding. Seven academics from various universities, each with expertise in political communication and media studies, were interviewed for data collection. The results show various interpretations by the informants. Four informants chose a dominant-hegemonic position, interpreting Dirty Vote as a form of political literacy and a critique of government abuse. Two informants took a negotiated position, viewing the movie as both a medium for political literacy and a potential for political propaganda in the lead-up to the 2024 presidential general election. Meanwhile, one informant represented an oppositional position, perceiving the movie as biased and politically motivated. In conclusion, Dirty Vote Movie functions as a space for interactive discussion between the media, government, and academic universities, affirming that media products can simultaneously foster awareness and provoke ideological debate within a democratic society.
References
Agustina, A., Halim, U., Hidayat, N., & Marta, R. F. (2024). Pertentangan Kecemasan dan Perilaku dalam Membentuk Sikap Politik Masyarakat di Masa Pandemi COVID-19. Jurnal Ilmu Komunikasi, 22(1), 141. https://doi.org/10.31315/jik.v22i1.7068
Asshafa, L. I., & Hanathasia, M. (2025). Road to Resiliance: Kajian Resepsi Gen Z terhadap Film Dokumenter Anti Terorisme. COMMTEMPORER: Jurnal Komunikasi Kontemporer, 2(01), 21–43. Retrieved from https://ojs.bakrie.ac.id/index.php/CJIK/article/view/
Asri, R. (2020). Membaca Film Sebagai Sebuah Teks: Analisis Isi Film. Jurnal Al Azhar Indonesia Seri Ilmu Sosial. DOI: http://dx.doi.org/10.36722/jaiss.v1i2.462
Astu P.D. Analisis Resepsi Kekerasan Seksual pada Perempuan dalam Film Penyalin Cahaya. Jurnalinternact, Vol 12 No.2, 2023. https://doi.org/10.25170/interact.v12i2.4896
Ayomi. Gosip, Hoaks, dan Perempuan: Representasi dan Resepsi Khalayak Terhadap Film Pendek “Tilik” Journal Rekam. Vol 17, No. 1, 2021. https://doi.org/10.24821/rekam.v17i1.4910
Halim, Umar; Hidayat, N. (2025). The Sequential Levels of the Digital Divide in the Educational Domain Among Indonesian University Students. INJECT (Interdisciplinary Journal of Communication), 10(1), 179–208.
Halim, U., Hidayat, N., Rosit, M., Suri, I., & Handoko, D. (2024). Digital Opportunities and Internet Outcomes on Educational Domain : A Comparison between Urban and Rural of Indonesian University Students. Pakistan Journal of Life and Social Sciences, 22(2), 20248–20257. https://doi.org/10.57239/PJLSS-2024-22.2.001484
Hidayat, Nurul; Hadibroto, J. U. (2025). Tradisi Tiatiki dan Pemimpin Opini: Analisis Media Vernakular dalam Universitas Pancasila, Indonesia bertransformasi menjadi wacana resistensi politik , di mana tradisi Tiatiki dijadikan arena. JURRISH: Jurnal Riset Rumpun Ilmu Sosial, Politik Dan Humaniora, 4(3), 967–979.
Hidayat, N. (2025). Narasi Kebangsaan di Era Media Sosial: Relevansi Pancasila dalam Ekosistem Digital. PACIVIC (Jurnal Pendidikan Pancasila Dan Kewarganegaraan), 5(April), 105–118.
Hidayat, N., & Halim, U. (2025). Budaya Digital Remaja Indonesia: Dominasi Instagram dan Tren Konsumsi Konten Digital. NIVEDANA: Jurnal Komunikasi Dan Bahasa, 6(4), 844-859. https://doi.org/10.53565/nivedana.v6i4.1971
Baran, S. J., & Davis, D. K. (2020). Mass communication theory: Foundations, ferment, and future (8th ed.). Boston: Cengage Learning.
Vera, Nawiroh. 2024. Resepsi Khalayak: Metode Riset Khalayak Media. Yogyakarta. Penerbit Deepublish Digital
McQuail, D. (2011). McQuail’s mass communication theory (6th ed.). London: SAGE Publications.
Panaju, I. (2021). Peran film dalam pembentukan opini sosial: Tinjauan komunikasi massa. Yogyakarta: Penerbit Media Sosial.
Moleong, L. J. (2017). Metodologi penelitian kualitatif. Bandung: Remaja Rosdakarya.
Hill, A. (2021). Documentary imaginary: Production and audience research of The Act of Killing and The Look of Silence. European Journal of Cultural Studies, 24(4), 801-815. https://doi.org/10.1177/13675494211033291
Creswell, J. W., & Creswell, J. D. (2018). Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (5th ed.). Sage Publication
McQuail, Dennis. (2005). Mass Communication Theory. Sage Publication: London
Ghassani, A., & Nugroho, C. (2019). PEMAKNAAN RASISME DALAM FILM (ANALISIS RESEPSI FILM GET OUT). Jurnal Manajemen Maranatha, 18(2), 127–134. https://doi.org/10.28932/jmm.v18i2.1619
Hall, S. (1980). Encoding/decoding. In D.H Stuart Hall (Ed.), Culture, Media, Language. New York: Routledge
Widyastuti. Analisis Resepsi pada Pemaknaan Keluarga Idela dalam Film Layangan Putus The Series.Vol 13, No 2, 2023, Jurnal Media Komunikasi Mediakom, http://dx.doi.org/10.22441/mediakom.v13i2.21450
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Muhamad Rosit, Gede Munanto, Maryan Engeline

This work is licensed under a Creative Commons Attribution 4.0 International License.









